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别名:
There will be no more night
导演:
主演:
上映:
2020-11-20(阿姆斯特丹国际纪录片节)
更新:
2023-06-10 14:43:02,最后更新于
1年前
豆瓣评分:
7.8分
备注: WEB-1080P
剧情:
An intense documentary about the tremendous tension between observation and interpretation. The pilots and gunners of attack helicopters who carry out nighttime missions in war zones make decisions with far-reaching consequences, not only for their targets, but for themselves as well; the fear of making a mistake is ever-present. During their flights, the soldiers use thermal cameras to observe movement on the ground: anything that gives off heat lights up. From a distance, landscapes, villages, people, and animals become abstract patches of light and dark, lines, surfaces, and contours. Is the figure among them a Taliban fighter with a Kalashnikov or a shepherd with a stick? Filmmaker Éléonore Weber had access to video recordings of French and American missions in Afghanistan, Iraq, and Syria. A French helicopter pilot related his often-shocking experiences to her. What begins as a monotone video essay gradually develops a powerful tension, because as viewers we find ourselves in the pilot’s seat. We catch fragments of conversations between crew members; we look, zoom in, interpret, hesitate—and then comes the explosion. 收起
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电影《不再有夜晚》的剧情详细介绍
◎影片名称:不再有夜晚
◎影片别名:There will be no more night
◎影片类型:纪录,战争
◎豆瓣链接:35258274
◎IMDb链接:tt10917134
◎影片时长:77 分钟
◎上映日期:2020-11-20(阿姆斯特丹国际纪录片节)
◎影片地区:法国
◎影片语言:法语
◎更新时间:2023-06-10 14:43:02
◎影片剧情:
An intense documentary about the tremendous tension between observation and interpretation. The pilots and gunners of attack helicopters who carry out nighttime missions in war zones make decisions with far-reaching consequences, not only for their targets, but for themselves as well; the fear of making a mistake is ever-present.
During their flights, the soldiers use thermal cameras to observe movement on the ground: anything that gives off heat lights up. From a distance, landscapes, villages, people, and animals become abstract patches of light and dark, lines, surfaces, and contours. Is the figure among them a Taliban fighter with a Kalashnikov or a shepherd with a stick?
Filmmaker Éléonore Weber had access to video recordings of French and American missions in Afghanistan, Iraq, and Syria. A French helicopter pilot related his often-shocking experiences to her. What begins as a monotone video essay gradually develops a powerful tension, because as viewers we find ourselves in the pilot’s seat. We catch fragments of conversations between crew members; we look, zoom in, interpret, hesitate—and then comes the explosion.
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